![]() ![]() You can have different colors which have the same value. Value should be simple to understand, however, the inclusion of color can make it a challenging concept to grasp. To decrease (darken) the value of a color – add blue, black and/or raw umber.To increase (lighten) the value of a color – add white and/or yellow.Value is widely considered to be one of the most important variables to the success of a painting.Ī general rule I like to follow for painting is: Value is how light or dark the color is, on a scale of black to white. In many cases, artists use tone to describe a color which has been grayed down (de-saturated). Tone is a broad term used to describe a color which is not a pure hue and is not black or white. Tone is a widely misunderstood term and many artists are not entirely sure what it means, despite it being used so commonly. This is also why you should always at the very least have the primary colors on your palette. This is why a solid knowledge of color theory is so important when it comes to painting and mixing your colors. Using the primary colors, you could mix pretty much any color in the spectrum. ![]() These are made by mixing two of the primary colors. The three secondary colors are green, orange and purple. ![]() The three primary colors are red, blue and yellow. Since the origination of the color wheel by Newton, it has become one of the most powerful tools available to artists for explaining the relationship between colors. This color wheel was an arrangement of red, orange, yellow, green, blue, indigo and violet on a rotating disk. The first color wheel was developed by Sir Isaac Newton around the start of the 17th century. General principles of color theory were evident in writings of Leone Battista Alberti (c.1435) and the notebooks of Leonardo da Vinci (c.1490). (Bonus: Click here to download a PDF copy of my Color Theory Cheat Sheet.) The History of Color Theory
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